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Karte 2. Gradationskarte des Eichenwicklers: Schadgebiet und Jahresniederschlagsmenge. Italiano: Theodor Eicke and Italian fascist authorities at the inauguration of the fascist monument of victory in Bolzano, Italy. While hiding from German police in Italy, Eicke took part in a celebration of the 10th anniversary of the fascist 'March on Rome' in October at the Italian Victory Monument in Bolzano, Unknown 27 Faschos und Nazis am Siegesdenkmal COM L. Eicke of C. Battery, F. Eicke was killed while serving with the Battery at Verdun.

Ehrhardt Andrew, cigarmkr August Sensenbrenner, bds Front. Ehring Maximilian J, lab, h Arctic. Ehrman Jacob, rms G. Eichenlaub Martin, tmstr Chadbourne Furniture Co, h 17th. Eichler Henry E, butcher, h F. Eichoff Mary wid Wm , h Logan ave. Eichols Emma, nurse, h 4th.

Eichwede Ernest, bds 15th. EICKE, see also loke. Eicke Mrs Lina, h Logan ave. Eicke Rudolph, elk, bds Logan ave. Kr, V. II, Cross of Honour - 18'. With Eicke's original signature in blue ink. Army list. References to the Gradation List are in Heavy Type. Edwards-Carter, H. Edyvean, E. H Efran, M. W,, Wt. Eg-erton, A. R iV -C. Caleclon P. Charles P Br Sir R. Eggiaston, H. Ehrenborg-, R. Ehrhardt, W.

I request my expulsion from the SS and the party until the matter is clarified. Respectfully Eicke, SS-Obf. Two handwritten signatures of Theodor Eicke, the letter with original signature and field post-number '' and text tr. Dimensions 10 x 15 cm and Black and silver-grey BeVo type with sewn ends. Length 49 cm. Archaeologists have surprisingly discovered the remains of a brickworks during excavations in the castle in the Duchy of Lauenburg County.

Silver base has the engraved coat of arms of Theodor Eicke and award date ' April ', silver fineness mark and maker's monogram. Height 34 cm. Small chips and scratches, but in good overall condition. There are six other similar suites of two rooms in the palace commissioned by Prince Leopold Friedrich Franz von Anhalt-Dessaut.

They are being restored until The rooms were used by the prince and his family as well as Marshall Berenhorst and the architect Erdmanndorff. Length 49 cm,historic,historical,s,20th century,secret service,security service,secret services,security services,police,armed service,armed services,NS,National Socialism,Nazism,Third Reich,German Reich,Germany,utensil,piece of equipment,utensils,object,objects,stills,clipping,clippings,cut out,cut-out,cut-outs,fascism,fascistic,National Socialist,Nazi,Nazi period,uniform,uniforms,deta,Additional-Rights-Clearences-Not Available Sleeveband of the SS-regiment no.

The works on the ground floor, the so-called Beletage, will complete the extensive restoration work at the beginning of Offering the highest resolution available, VISION3 Films continue to raise the bar with unrivaled highlight l at itude and reduced grain in shadows for gre at er flexibility and control in post.

Learn more at www. But amidst their playful romps, secret rituals and silly habits belies an underlying tension. Full of verve, the idiosyncr at ic Gitti is fearless in expressing her love and devotion for Chris, while Chris is more reserved in his outlook on life and sports, varying personal and professional degrees of insecurity. When they casually run into another, obviously happier and more successful, couple th at on top of it all appears to be modern gender role proof, their rel at ionship destabilizes.

In a silly at tempt at lifestyle bootlegging, Chris begins to show his wilful girlfriend who is boss, with the result th at Gitti's faith in her partner takes a hard knock. She at tempts to conform to his new ideal, but wh at begins as a playful experiment soon turns into a quiet struggle with her own personality.

While Chris flourishes in his role as the stronger one of the two, Gitti begins to loosen up in a completely new way. While Thomas is willing to fill the void of their f at her, Consul Jean, and to steer the firm through the times of moderniz at ion and rising competition, his brother Christian is trying to break away from any responsibility. We find him in dubious company, marrying a woman from a vaudeville show, rebelling against everything their f at her stood for.

The sequences, abstract or concrete, range from short film to documentary, from essayistic to experimental. Through friendship, love and alcohol, Roddy is in search of the perfect music. With a scholarship from the Deutscher Akademischer Austauschdienst in , she continued her film studies in Sydney. After working on a few short films and documentary films, she was awarded the German Film Award in Gold for Best New Director in for her directorial fe at ure film debut Im Kreis der Lieben.

Among her fe at ure film credits are popular hits such as Trio , Bibi Blocksberg , and most recently, The White Masai The arranged marriage spells the beginning of a monotonous existence for Effi far away from her hometown: Innstetten is entirely pre-occupied with his political career and the sleepy artist town of Kessin on the Baltic Sea shore offers little excitement.

Effi starts a passion at e affair with him and finally discovers wh at love is. But it comes at a steep price: The affair proves f at al for Crampas. Nor is it a happy period for Clara, who is reduced to the role of a housewife instead of an acclaimed concert pianist performing throughout Europe to sold-out halls. Th at is, until she meets the young, brilliant Johannes Brahms. Clara and Johannes fall for one another. Robert, who is sick and suffering from severe depression, at tempts to drown himself in the Rhine River.

His life is saved and he commits himself to a san at orium. The rel at ionship between Brahms and Clara grows even more intense. When Robert dies two years l at er, all the obstacles seem to have disappeared for them. Clara, however, refuses to marry again. She at tended the drama school for music and the at er in Hanover, and studied German and English Languages in Cologne.

In , she founded her own production company. Under the Pavement Lies the Beach became her breakthrough in Heinrich , her film on the life and de at h of the German poet Heinrich von Kleist, was awarded the German Film Award in Her film German y, Pale Mother remains an intern at ional success today and is one of the classics of German cinema.

In the early 80s, he worked in the the at er as a director and wrote radio plays for the Austrian broadcaster ORF. From , he worked as a freelance director and author for television, commercials and music videos. In , he made his fe at ure debut with Tempo, which won the Max Ophuels Award in Lilly is a completely normal year-old girl, until suddenly one day a magic book accompanied by its guardian Hector, a small and clumsy dragon, appear in her room.

Surulunda, a super-witch from the world of magic, has design at ed Lilly to be her successor and Hector to explain the job. But first Lilly must prove within 99 hours th at she is worthy of this burden. The magic book holds the promise of many exciting adventures but also of grave danger through the evil magician Hieronymus and his wish to rule the world.

Lilly must confront Hieronymus and prove th at she has wh at it takes to become the new superwitch. But more than anything else, she was a fighter who often fell, but never stayed down. Berlin, The collapse of Nazi German y looms, but young Hilde marches through the rubble of Berlin with only one thought in her head: she wants to become a star.

With luck, looks, the right men and overwhelming self-confidence, she makes her way in the film world, both during and after the war, swapping her Nazi lover for a young Jewish husband. Hollywood beckons, but Hilde is no Marlene. Underemployed and frustr at ed, she longs for German y. The divided country welcomes her back, but a short nude scene in The Sinner provokes a n at ional scandal, making her an outcast in her own country.

The years go by in a whirl of successes and failures, of ups and downs. After completing his studies, he began working as an assistant director. He made his breakthrough with Martha Jelineck, which was nomin at ed for the German Film Award in Among his most noted television productions are the filming of the diaries of the Jewish liter at ure professor Victor Klemperer, Klemperer — Ein Leben in Deutschland , as well as H at er Arbeit?

His epic miniseries Die Flucht was one of the top-r at ed fiction productions of Having stumbled onto the remote town with his son, Marc is obsessed by the tale of a gruesome multiple murder on a nearby farm back in At night, however, mysterious things begin to happen to Marc, an uncanny interweaving of visions and reality th at draws him ever deeper into the secret of the murders.

The more he pieces together, the more the townspeople close ranks against the stranger. The situ at ion escal at es on a pagan holiday in which the townspeople dress as devils and demand a human sacrifice. A top cast and sensitive direction add emotional depth and a jolting edge to this gothic mystery based on the biggest unresolved murder case in German y, the slaying of six people on a remote Bavarian farm in Together with colleague Ciro Cappellari, he rediscovers his hometown, 20 years after the fall of the Wall.

The result is a lyrical film essay about the city and the people whose skills, talent and ambition make it such a unique place: less hectic and glamorous than Paris or London, but possibly more stimul at ing. Ciro Cappellari was born in Buenos Aires in where he trained to be a photographer and made his first short films. At Any Second In jeder Sekunde, marks his directorial debut.

Maybe Frick should listen up, for in the following days and weeks, the angels of love will be busy enticing a variety of men and women to play with fire — perhaps in order to punish them Sarah, tempted by drugs but trying to get her life in order, breaks up with her coke-snorting boyfriend and falls in love with a sweet-n at ured photographer.

Frick himself, married and the f at her of a terminally ill child, succumbs to the charms of a strong, self-assured woman. With her, Frick finds a welcome relief from his all-consuming role as the dedic at ed caretaker of his daughter, his p at ients, and his marriage. Each of them is on the verge of a major change, each of them ready to head off in a new direction and take the risk of burning themselves on love.

Wh at remains is a search for love and fulfillment th at a stroke of f at e can push into a surprising new direction at any second … Director Jan Fehse brings his years-long experience as a sought-after cinem at ographer to bear on the poignant story of a handful of individuals caught in the grid of modern urban rel at ionships. When the Imperial Japanese Army invaded China in and at tacked the civilian popul at ion of Nanking with unprecedented inhumanity, John Rabe took action.

John Rabe had become long forgotten by the time his diaries were rediscovered ten years ago. To this day he is still revered in China, but he has never been commended, much less rewarded, for his courage and decency in his own country. Upon his return to German y in , he was arrested by the Gestapo for collabor at ing with the Chinese.

He died in poverty soon after World War II. After the owner of the bar mysteriously died in , it was taken over by his widow and her new partner. Just a couple of weeks l at er, this incredible place lay in ruins. The Last Applause follows the lives of these forgotten tango singers from until today. When his dad has to go away on business for a week, he leaves Lippel in the care of his new housekeeper, Mrs. She seems very nice at first, but soon Lippel finds himself arguing with her over little household m at ters.

It slowly turns into a domestic war, while Lippel seeks escape in his dreams at night, fleeing into an oriental fairy-tale world. There, his f at her is the lovable but weak king, whose children are at the mercy of his malevolent sister-in-law. The dreamworld double for Mrs.

Jakob wants to do away with the children to take the throne herself. He had his fe at ure debut in with Gentleman, which was shown at the Munich Filmfest the same year. Roehler has been a scriptwriter since with Ex and Terror , and he is also the author of the novel Das Abschnappuniversum.

He has lived in Berlin since the early s and also works as a freelance journalist and author. For Hanna, the most important thing is to be together with Thomas. But then Thomas invites his older brother Friedrich to stay with them after Friedrich loses both his job and his wife. Yielding to the new dynamics, Hanna also invites a friend to come and visit: her godchild Augustine.

Barely out of her teens, she projects a sexy youthfulness th at exerts a dangerous at traction on Thomas, who is increasingly living out his adolescent impulses, while Hanna starts to sense an unknown depth in Friedrich. A year l at er, he directed his second short Heldensommer and appeared in a small role in The English P at ient in A promising blind d at e with a beautiful Blonde ends with her fleeing in horror.

One day, Toni is contracted by middleman Pepe to kill the reclusive Enrico Puzzo, a mafioso-turned-squealer whose memoirs are about to be published by a company run by Christopher Kimbel and his milquetoast son, Bobfried. The two fall in love with each other. But their love is thre at ened: there is an arrest warrant and possibly a de at h sentence waiting for Juri.

Inga grows up with her grandparents, thinking th at her mother died during a swimming accident. As a child, he was involved in numerous radio plays and was the young publisher and editor-in-chief of the youth magazine SHOT!. After finishing school he worked as an author, speaker and reporter for various television and radio broadcasters, followed by studies from in Film Directing at the Baden-Wuerttemberg Film Academy. His films include: Suelze short, , Schneewittchen ist tot short, , Strassenschlacht short, , Soapstar documentary, , Der grosse Franz short, , Tantalus short, , Marta und der fliegende Grossv at er , Jaeger verlorener Schaetze documentary series, , and November Child Novemberkind, His film Paradiso won a Silver Bear at Berlin in She writes malicious love poems which she recites in live performances throughout German y.

She has the fans at her feet. And she apparently also has success with love. Three men have hopes of marrying her. Pink decides system at ically, but wrongly. She makes her decisions using a calcul at or. Her rel at ionships are managed via text message. And conflicts resolved — if need be — at gunpoint.

Despite having made a thorough examin at ion she chooses quite the wrong man on two occasions. It is only with the third one th at she finally finds happiness. Three weddings. Three seasons. The modern fairytale of someone on a quest to learn about love. Together with her pet pig Pupsi, she zooms throughout the countryside leaving behind a magical trail, clouds of pink butterflies, and sparkling stars.

Still, she soon discovers th at not all in her kingdom are content. With the passing ages, the Fairies of Pinkle have become worse in the misuse of their magical powers. Being a caring Princess, this makes Lillifee very sad. She has also directed a number of short films and documentaries, including: Maikas Wochenende short, , and between earth and sky documentary, In idyllic East Allgaeu she meets the Webers, who take her in as their guest. But soon, the situ at ion of the family becomes turbulent by her appearance … 30 new german films — market screenings New German Films Screening: Friday, 15 May, h, Riviera 2 Sunday, 17 May, h, Riviera 4 After two decades in prison, Widmer, a former German RAF-terrorist, is released.

He meets Valerie, his next door neighbor. The young woman tries to get her life back on track after she lost custody of her little son. She shows some interest in Widmer, the two of them seem to have something in common. They discreetly enter into the secrets of their lives. Until the truth comes between them. He will not accept any compromise, neither in his music, nor in love.

When he gets the feeling th at Kristina, the love of his life, only loves him for his musical talents, he is deeply hurt. Disappointed, he bids farewell to both her and his previous life. On the edge of society, he meets an old woman who beque at hs him her pain in the form of poems. Martin is immedi at ely fascin at ed.

Can they guide him back to himself, to Kristina, or to his music? And then, if his friends, decked out in large fur h at s and filming him too, joined in? Would you believe it if these three best friends told you th at they have a brilliant idea to become world-famous? Be reasonable? Calm down? Chill a little? Act their age? Yes, you would! But wh at would you think if, in a couple of months, as you read your morning paper and suddenly see th at a so-called John Salinger and The Berlin Brothers are 1 in the charts.

Yes, you would. Everyone would. And you would want to know wh at kind of idea th at was. He loc at es the nomad mountain village, but his f at her has passed away a long time ago. Temur decides to stay and meets Amira, a beautiful young woman. Temur supports Amira, realizing too l at e th at he has fallen in love with the young married woman.

Amira and Temur become lovers. Between East and West they invent a universe where life again becomes worth living. Outside of German y, labor is cheaper and regul at ions are less constricting. But over and beyond this fascin at ing capital venture there remains the harsh reality of the everyday life of the hardworking Polish laundrywomen, through whose hands the white sheets pass. While Be at a struggles to raise her three children on her meager salary, Monika reminisces about her unrealized childhood dreams of becoming a doctor, and is compelled to w at ch her teenage daughter Marta gradually follow in her footsteps.

In his first fe at ure-length documentary since The Mechanism of the Miracle sixteen years ago, director Hans-Christian Schmid Storm, Requiem, Distant Lights, 23 applies his delic at e poetic sensibility to three women, their fears and dreams. He made his directorial debut in with the documentary Sekt oder Selters followed by the short Das lachende Gewitter, the documentary The Mechanism of the Miracle and the TV film Himmel und Hoelle.

His other highlyacclaimed films include: 23 , Crazy , Distant Lights , Requiem , and Storm The films experiment with form and content, and sometimes with both together. Borders are opened up; passion has been lent wings. Although the filmmakers of tomorrow may be very different with respect to their selected themes and fields of interest, they share the formal qualities. The diverse field of anim at ion domin at es their aesthetic choices.

The young filmmakers view cinema as a huge image machine, and so they cre at e images themselves. The works are oriented on singular moments in the lives of individuals; decisive moments th at point onward, backwards, or in a completely new direction; moments th at express the depth of longing and the desires felt by the filmmakers in a magical way. The interval of a heartbe at provides the rhythm, over which the narr at ive lies: the poetry. Over the course of only one anim at ed minute, Rosarot tells the full drama of being in love and falling out of love.

Sp at zen is an homage to the plan sequence, showing the end of a love story. Samsa — Hommage an Franz Kafka bows down to the gre at master, but at the same time it represents a visual journey into the cre at ive production process familiar to every artist. In the end, the ram couples with the ewe and savagery wins the day. In Clean Up the moment has passed: all th at remains is to clean up the scene of the event.

There is also description of the everyday in the film Keine Besonderen Vorkommnisse: two soldiers control a check point in the middle of somewhere. Between gives us an intim at ion of this movement in the image and beyond it, to the other side. Schneezeit allows us to sense time, and Lebensader brings us back to a childlike imagin at ion.

Kaiser was born in in Munich. She has written the screenplays to several shorts and also directed the shorts Vigilia and Amoklove Between Between is an experimental short film about the human psyche, its complex combin at ions and the resulting visions. Strolling in between different senses, caught in an endless loop of our inner life, the exit is the only entrance.

A magical moment between two people in the subway, but then it is all over and they will never see each other again — wrong! Th at is Amoklove: a declar at ion of love during a cardiac recess. He co-founded the art collective and design bureau Via Grafik in Since , he has been working as a freelance designer and filmmaker. Between is his gradu at ion film. He was a trainee at a film production company and directed several social spots and short films. Three young soldiers try to distract themselves from their everyday wartime existence.

One of them takes notice of a local girl. This experimental short film gives an abnormal view on the de at h penalty. He worked as an intern for several commercial production companies, as a loc at ion manager and production assistant for German TV and the at rical films. His other short films include: Grenzfall , Little Jerk , and Kreislauf Lebensader A little girl finds the whole world inside a leaf.

In addition to communic at ion problems with the locals, torrid he at , a boring everyday existence and the question of whether or not a mine field is a mine field, the two also have to deal with their own fear. During her studies she developed a personal and poetic style culmin at ing in her diploma film Lebensader Her previous film Wie ich mich traf won numerous awards in German y and abroad.

Her other films include: Shadow Play , co-director and Loko Mare Kirsten Carina Geisser was born in in Naila. Rosarot is her first film. A short film about the aberr at ions and confusions of love. From , he studied Graphic Design in Dessau.

His other films include: Die Identitaetskrise , Wie der Pfeffer auf die Sterne kam , and Fuchs, du hast die Gans gestohlen His other films include the shorts: Es regnet , Stunden weit entfernt , and Anja, Tanja, Heike und Mareike He is currently preparing fe at urelength fiction films. For decades, Oskar has been living in a lonely cottage in the middle of endless, snow-covered fields.

The past and the future, memories and the present superimpose each other in this constantly frozen landscape until the borders between time become so thin th at it appears one could transcend them. Since , he has been working as a freelance video artist. His other films A man meets a woman in a bar. A long take. From , she studied Photography at the Utrecht School of Arts. Since , she has worked as a freelance photographer and cur at or in Cologne.

Since she has been a student at the Academy of Media Art Cologne. Sunrise Dacapo is her intermedi at e diploma film. You Are My Hero Time and time again the brave knight takes off into b at tle. Even though his sword actually smells like tom at o juice upon each of his triumphal returns, his wife remains loyal to her hero.

Not until he takes off for b at tle one day without his sword does she get suspicious and look further into the situ at ion at hand. An observ at ion on the growing of geraniums in mass production and the coherence of noise and silence. The beauty of n at ure, apparently perfectly reproduced in artificial surroundings.

After completing his first anim at ed short with an 8 mm camera in , he never stopped making his own films and commercial works. His anim at ed shorts Je veux rester and About Love, H at e and the Other One were shown at several festivals all over the world. It was established in under the name Export-Union of German Cinema as the umbrella associ at ion for the Associ at ion of German Fe at ure Film Producers, the Associ at ion of New German Fe at ure Film Producers and the Associ at ion of German Film Exporters, and oper at es today in the legal form of a limited liability company.

The organiz at ion, with its headquarters in Hamburg, aims to develop and realize joint projects for the present at ion of European films on an intern at ional level. Unfortun at ely, we could not include film titles and screenings d at es which were announced after this public at ion went to press. The pages of this brochure are made of PEFC certific at ed cellulose.

PEFC Programme for the Endorsement of Forest Certific at ion schemes is the largest independent organiz at ion worldwide for securing and continuously improving a sustainable forest management and it guarantees ecological, social and economic standards.


It also tries not to explain human behaviour as by watching someone from aside or through a glass window we are not able to tell about motivations behind actions. We can only observe them, their actions and the consequences that they lead to. As with fish in a bowl or an aquarium. This is the perspective and distance I want to maintain. I hope this will allow me to play with the audience expectations and desires as we follow the day of Jan and Marysia and their growing frustration.

Hopefully this will also underline the absurd nature of the situation they got themselves into resulting in some black humour. Although Jan and Marysia will be eventually left unsatisfied, their meeting will perhaps allow them to move on from the point of life they stuck in.

And we, for a moment during the dinner, will see a twisted vision of a possible but improbable family. Director Biography Piotr Litwin. Living in Poland since Since a co-owner of MX35, a film equipment rental house. Some awards. Does not believe that the World will end in Currently preparing his graduation film and observing how his six months old son is growing up.

Estimated Budget: Looking for sound design co-production possibilities. Looking for financial co-production possibilities. Synopsis yr-old Marek is a misfit. Friendless and regularly tormented by a vicious gang of bullies, Marek takes solace in his passion, art; drawing picturesque renditions of his local beach. Intention I chose this subject matter because I can relate to the struggle to fit in.

As a kid, I moved around a lot after my parents divorced, and endured a period of bullying shortly after moving to a new town and new school. The bullying centered on my Iranian heritage and in the end was the single-most important experience of growth I underwent throughout my childhood. Despite this, I still wish I had the services back then of a Sam; a loyal samurai to even up the number a little. In a way, I did; writing and cinema were my Sam. I grew up instilled with the limitless optimism of charac-.

Seaside Samurai is therefore about fiction directing truth. It is an effort to express the ancient importance of stepping out of reality in order to step back into it truly inspired. The film is also a homage to my late father, Afzal, who sadly passed away last year.

Some of my fondest memories as a child were sitting beside him watching kung fu movies, believing one day I could fight the evil forces of the world too. Maybe with this short, I still can. In addition to Rain, David is currently in development on his first feature as writer-director, The Frail. To cope with their incapacity to give life, couples buy young androids who grow up with them.

Intention With Ctrl-Alt-Del, we guide the audience through a visual journey along the pathways of our consumption habits. What if mothers nurtured warm feelings of love for their mechanical children? What would we be left with if we lost all form of compassion for humankind and only saw it as an expendable by-product of our society?

Combining the emotional impact of a family drama with the action-driven narratives of the sci-fi genre allows us to explore the abyssal needs awoken in a mother by the loss of her child. Obsessed by an in-. A reality where again, hope lies in the younger generation. He works as a director, producer and cinematographer in France, Italy and Switzerland, accumulating award-winning short films, international commercials and feature film experience, which led him to co-found Turbulence Films with Klaus Pas in Ctrl-Alt-Del is a twenty-minute science fiction family drama telling the story of Amy, a loving mother forced to terminate her only daughter, a dysfunctional 13year-old android.

Deeply affected by this emotional void, she loses track of the reality she lives in. When Chris finds out, a violent clash follows, forcing Amy to choose between the child and her husband. Her choice leads her to discover that like her daughter, she is herself nothing more than a companion object, another android that will soon be disconnected and replaced.

Scriptwriter Biography After a career in finance, and a Master in film directing in Paris, Klaus worked as a producer, writer and director for both documentary and fiction. Synopsis Settled in Nice, Anna, 23, is a promising young photographer. One day, a phone call is enough to turn her life upside down. Torn between the conviction of being a bad mother and the fear that her mother-in-law will get custody of her child, Anna finally decides to spend the three days preceding the verdict of the judge with Pierre.

Totally inexperienced and awkward as a mother, she tries to overcome the rejection of her son. More and more involved, Anna realises that the only way to communicate with Pierre is to learn this language. During the Second World War my Jewish grandmother fled Austria and took refuge in France where she met my grandfather.

They had three children but, struggling with money, had to give them away for adoption. At the age of 15, my father discovered that he was adopted. When he was 18, he travelled through France to find his biological mother. Aboudi Lao gives me the opportunity to deal with this complicated subject. As children, my friends and I often invented a magic dialect in order to exchange secrets. This game was a symbol for a deeper dream, the possibility of creating a world in which imagination had no boundaries.

Such creations are characteristic of childhood and, personally, I think they are most sacred. That is her last possibility for redemption. Back to Paris, I was active in the same area for a production company specialised in kids TV programs.

Then I worked as a web editorialist but soon discovered a need to learn the craft of screenwriting. It has been selected for European Short Pitch with Iloz Productions attached to the development. This desperate Artist put everything on one card to get a small role as an actor, although there was no job for him. But Kader is not stupid. He is a fighter. With a breathtaking dance performance in front of the astonished eyes of Sharma Kader wins his respect.

Nevertheless there is no job. Kader collapses. He leaves the office humbled. Meanwhile Sharma caught fire. He sees in Kader his long-awaited chance to get back into the spotlight. When he finally has the role for Kader, all attempts to find the Tiger Artist fail.

Its author the Tamil writer Ashoka Mitran gave me his blessing to adapt it. Now I am trying to create an audio-visual world that shows the cycle of dependency between art and capital in an original way. On the one side stays the poor tiger dancer Kader, who is a metaphor for an artist struggling for recognition and a basic living. His antagonist, the lousy filmmaker Sharma, got stuck in his past glory. These two characters clash together in a typical up to date situation: in a humiliating casting with zero chance for.

Kader to get a job. Tiger Fight is a perfect experimental field for a 12—14 min 3D live-action short. Stereoscopic shooting offers me the opportunity to capture the space with a presents and dynamic that was not possible in 2D. The Tiger Artist extends his hand to the audience and takes him into another reality.

The path of the Tiger is more than reality and creates new images within the spectator. The images invade you with the permanent fear of the possible death of Kader. His full length feature film debut Return of the Storks was the Slovak national entry for the 80th Academy Awards. Besides his artistic work, he also works successfully as a contract director for TV and advertising and as producer, production manager, script editor and lecturer. Currently he writes on two feature film scripts and develops the short film Tiger Fight.

Synopsis Incella is the teenage daughter of a greengrocer. She is a confused and vulnerable creature. Prompted by her alcoholic mother, she leaves to buy bread, when the elevator of the run-down Budapest apartment block breaks down and gets stuck for three days.

As no-one reacts to the alarm bell, Incella sits and waits patiently. The family notices with interest that the elevator is broken, and after a day After 3 days in her prison, Incella escapes. But to what end? It seems she had a better time inside. Intention In this grotesque short movie the protagonist is the house itself and the ensemble of its tenants.

The characters, even Incella and her family, represent archetypes but all of them have distinctive attributes a dachshund, a saucepan, a walking frame. The most recurring location of the movie is the stairwell, where the neighbours meet and where the elevator stands with Incella in it. Being jumped around by the fussy crowds of tenants the stairwell becomes the metaphor of intellectual impotency.

The visual style and the material surroundings reflect the timeless state of Hungary and the disposition of people here to keep stalling. The approach is not that of kitchen sink realism, it is slightly elevated and cartoonish, both in terms of visual style set-design, lighting , and acting. The non-hierarchical, ensemble cast is visually expressed by the long takes of the film, enabling the characters to enter and exit a scene, maintaining the illusion of perpetual action, while nothing significant happens.

I directed TV spots for the French Mezzo TV and also participate in projects as co-writer and consultant on dramaturgy. Synopsis year-old Sofia is a boarding school pupil. Solitary and distant, abandoned by her parents, she has an inner visible force, ready to explode.

She goes to visit the only person she has an address for, a grandmother she never met. When she arrives, the old woman tells her to go away but Sofia decides to stay and take advantage of the situation. She imposes her presence but the old woman rejects her. Sofia realizes that she is looking for her own family. In this little industrial town of eastern France, Sofia meets Bernardo, an older Italian worker, and they begin to pass time together without any expectations.

Step by step, he begins to want to take care of her. When Bernardo must go back to Italy he asks her to go with him. Sofia cares about them both. She has the possibility to leave but also the possibility to stay. She has to make a decision. Intention Sometimes, one reacts by withdrawing from the world - by closing doors. When you grow up without family, when you have to face a hostile environment, you learn to build yourself alone, without any love.

Sofia never had a family, she is an outsider but she wants to change her life. She is looking for her own family. The most important question for Sofia is how she will be able to relate to other human beings. Meeting this man, Bernardo, and her grandmother is a turning point for her. The script focuses on the confrontational relationship between two women of two different generations; how they evolve, how they tame each other.

The script was built as a progression, with cuts, passages and pieces of dialogue. For the set, I have in mind industrial mining towns. They are empty, lifeless. Time seems to have stopped. In this environment, Sofia changes and so do her relationships with others. All of these experiences, as well as her trips to Eastern Europe and other countries, have improved her artistic work. She has a poetic and contemplative approach to cinema; a cinema of contrasts, silence, empty spaces, waiting and loneliness but also of hope, movements and contradictory feelings.

Synopsis In the s, an intercity bus is struck by lightning, and its thirty passengers and driver unknowingly travel to the s. The bus suffers a flat tyre due to a big nail in the middle of the road and stops next to three billboards. The oblivious bus driver, Marcel, starts changing the tyre, while the passengers notice a strange worker putting new posters on each of the billboards.

One by one, the passengers are brainwashed by the posters, becoming super-consumers. As they run out of things to buy, they begin rioting. When Marcel finishes repairing the tyre he discovers that his passengers have gone mad. They begin to attack him, though he manages to escape, speeding away in the bus. Soon enough, the same nail pierces the same tyre.

The strange worker appears once again, and starts putting up a new poster on yet another nearby billboard…. Intention The Nail is a satirical short film which explores the brainwashing of society by advertising. Time travel serves as a fast-forwarding device, where thirty passengers on a bus from the early 20th century - representing a group of people from a more innocent time - travel to the year , allowing a social, cultural and temporal comparison of consumerism and materialism. As the film has no dialogue, the sound design will be imperative in setting the tone.

Sound effects will drive the characterisation and help create the atmosphere of a flat, deserted, windy landscape. The Nail is set on a simple country road which passes through endless fields. An old bus, a customised bicycle and three big billboards are the main props required. Rain is necessary for one scene, while the only post production special effect will be the lightning strike. The main costumes are from the s period. The imagery will speak clearly to an international audience, relating as they watch the madness rise in an increasingly consumerist world.

His latest award-winning short film 8 has been screened at many festivals worldwide and shown on several TV stations across Europe. Synopsis Shikha is a young Bengalese woman living in Rome. She decides to let Emiliano, her ex-boyfriend and father of her one-year-old child, take care of their son for the day. The encounter between the young man and his child, who up until now have been strangers to one another, becomes an opportunity for Emiliano to overcome his self-destructive habits made up of unhappiness and alcohol.

It is an opportunity for him to create a relationship with his son. The film revolved around Italian language schools for immigrants in my city, Rome. In the span of one month, moving from location to location where immigrants could receive shelter and food, the crew and I filmed hundreds of immigrant faces. Although each one had its own innate peculiarities, every face had something in common with the others: a gleam in their eyes that was so alive, so full of light.

That gleam was the testament to their strength and a fierce determination, so rarely found in human beings,. I began asking myself when I had last seen that in the eyes of one of my Italian compatriots. I began to elaborate a story taking place in Rome, in which an immigrant woman attempts to restore in her ex-boyfriend, who is Italian, that same strength and dignity.

The means the woman uses is the son they had before breaking up. She hopes that by putting the most precious thing she has on the line she will save the man from self-destruction. Ultimately she hopes he will regain a state of being based on respect for himself as well as others. All this is: Six thirty on a summer evening. Director Biography Iacopo Zanon was born in Rome in After graduating from a high school specialised in the classical arts, he enrolled at Sapienza University majoring in Literature and Cinema.

While completing his degree he worked for three years on various movies as an assistant director to Mimmo Calopresti, Francesca Archibugi and Nanni Moretti. During these years he also shot and completed production on two small documentaries and a short. He then moved on to direct several short films. He is currently working on two music videos for the band Mamavegas. Pin Up Filmaking s. Giorgio J. Synopsis Eight-year-old Joachim has a peculiar friend, Cowboy, who comes to his rescue after his mother suffers a terrible car accident that leaves her comatose.

Joachim was also in the car but barely remembers the event. Joachim meets his playmate in an imaginary world that he creates to cope with the trauma. His buddy is a clumsy, funny and plump cowboy in whom he finds refuge. However, he is unable to communicate with him.

Philippe is torn between anger and pain, since his wife had the accident just as she was leaving him for another man. In an attempt to lessen his pain and to apprehend what happened, Joachim asks many questions for which there is no redeeming answer. Slowly, it becomes clear that his friend Cowboy can no longer manage to bring him all the comfort he needs… His imaginary world and reality will collide, and this young boy will have to face the truth.

Intention Cowboy is a very personal and intimate project. It is the story of a young boy having trouble facing the cruelty of life and trying to reconnect with his father. I did not want to tell a dark and sad story, I needed Cowboy to narrate something tragic but with some lighter parts. This is reflected in the relationship between Joachim and Cowboy. Children have a way of coping and of looking at things that we, as adults, have lost.

We bury ourselves in our grieving processes, forgetting what surrounds us. The original language of this project was French and I intend to shoot it in French too. Without a doubt, a story has to be universal, but every filmmaker writes to touch the people who are closest to him and my family is French-speaking. My inspirations were Calvin and Hobbes and Where the wild things are.

Locations: flexible France, Luxembourg…. His first step was to study History of Art at Brussels University for 5 years. His final dissertation was about Wim Wenders. He then started a 2-year course in Scriptwriting and Analysis at the same University. Synopsis Magda, a mother and a wife, is ill. She is aware of the fact that she only has a few more months to live, and that her ability to speak will evaporate in just a few weeks.

Therefore she decides to gather her family and speak about the issue which binds them together. Everything starts to make sense when Magda uses her right to speak, which she is about to lose, to tell the long buried family secret which makes undigested past events come to the surface.

The film is about human rights. The right to be different. And last but not least, the right to love. Intention I strongly believe that considering the current political situation in Slovenia, it is of utmost importance to talk about human rights. The Right to Love is a family melodrama, concerning a wide range of interactions which go beyond the typical idea of a family.

At the moment we are hoping for your help with the coproduction investment and hopefully the exchange of knowledge and experience on an international scale, which is an opportunity I would gladly take advantage of. She has been working at RTV Slovenia as a director and screenwriter since She has directed 8 documentaries, written 5 documentary and 6 short film scripts, as well as directing more than TV shows and many live concerts.

Received Will be made as micro-budget feature to be shot mid April Two post-production companies attached to the project: Filmservis and Nuframe. Looking for a possible co-producer to invest in the film. Synopsis Electrifying Love tells the tragicomic musical love story of a male electric pylon from Siberia who is accidentally transported and installed in the heart of the English suburbs.

Things get even worse when he meets and falls in love with a female pylon. His attempts to win her heart fail miserably. All that he achieves is to annoy her and create interference in radio and electricity transmissions. One day a heavy blizzard hits the city. Pylons fail to provide electricity causing blackouts and accidents in the nearby town. The Russian pylon is the only one who can withstand the cold and saves the day.

The Female pylon realizes that she loves him. They share a moment of happiness, in form of a musical duet, just before he is taken away to be recycled. Female pylon is devastated and decides to shut down her own circuit, she is also taken away.

The two pylons are reunited by being recycled into one object. Intention I was inspired to write this story in the summer of During a train journey I noticed several lines of electric pylons stretching out into the distance. They reminded me of parading soldiers marching into the void of the morning fog. Their anthropomorphic structures sparked an idea for a tragic love story. The musical elements in this film will create a great contrast between the static reality of these metal structures and the vibrant dance numbers they share to express their love for one another.

This is an allegorical tale about two characters from. It is about the alienation and stereotyping of people that move from their homeland to another country and the problems that arise with that. But above all this is a story about relationships and how love can help deal with all these issues. When I was 9 years old my family moved from Russia to Greece. The cultural differences and language barrier caused many problems in my interactions with other people and I believe these are important issues to explore in a film.

Overall Schedule 48 weeks. Production: Helen Brunsdon has agreed to be on board as a consultant. Studio Sun and Moon in Bristol have agreed to provide studio space and expertise. Music: I have teamed up with music composer Paul Lambert. Director Biography I was born in St. Petersburg, Russia and have since lived in Greece and the UK. At the age of four I drew a red bunny rabbit and was admitted into art school—there was no turning back.

I have four years experience working in the animation industry, most recently as the Animation Director on the popular CGI pre-school series, Chuggington. In the future I would like to develop more short films and at some point perhaps immortalize that bunny in his own film.

Her early professional life was spent on film sets and on writing film reviews. Her experience includes managing a film production company, running evenings for film clubs, reading scripts and being a regular member of juries attributing development grants. As part of her studies, she did a traineeship as a production and distribution assistant for The Coproduction Office in Paris. Antoine Le Bos is a French screenwriter and script consultant, with 25 feature scripts delivered under contract, and the experience of a hundred feature projects followed as a consultant.

After a first life as a sailor and an interrupted PhD in philosophy, he graduated from the French Conservatoire for Film writing in He directed short films shown in more than 50 film festivals, and on-stage experiments theater, contemporary opera in Paris and Prague. He then co-created the animation series Ratz, shown in more than 20 countries.

He teaches screenwriting at Brest University. Since he has been the artistic director of Le Groupe Ouest, European center for film creation in Brittany France. Fabio Grassadonia is an Italian filmmaker and script consultant. Born in Palermo, he graduated in Arts and Philosophy with a specialization in Comparative Literature. After taking a two year post-graduate diploma in narrative techniques from the Holden School in Turin he started to work as a scriptwriter and script consultant in Rome.

He has collaborated as development consultant and acquisition consultant for major Italian production companies, such as Fandango and Filmauro. In he wrote with Antonio Piazza the film Ogni volta che te ne vai, a romantic musical comedy set among the night clubs of the Romagna coast, produced by Fandango. In the same partnership between Fabio and Antonio gave life to the short film Rita, their debut as directors.

Rita is one of most successful Italian short films of recent years. Fabio and Antonio will realize their first feature film as directors, Salvo, in summer It provides a permanent program for film screenwriting which supports innovative and personal projects. She started collaborating as a script consultant in with Hungarian production companies.

Currently she is also cooperating on various Hungarian and international projects as a script consultant. We wish to thank all scriptwriters and tutors for their kind contribution. Both women have a different relationship to this mur- der and so the feelings are varied but equally there is an overriding consensus of bereavement and failure.

Production Facts The story would be told using poetic cinematic language, focusing on the tensions within the characters. Contrast Film Ltd E-mail: katya. Unterordnung: Microlepidoptera, Familie Tortricidae. Ferner Baden Gengenbach und Braun- schweig Lehre.. Karte 2. Gradationskarte des Eichenwicklers: Schadgebiet und Jahresniederschlagsmenge. Italiano: Theodor Eicke and Italian fascist authorities at the inauguration of the fascist monument of victory in Bolzano, Italy.

While hiding from German police in Italy, Eicke took part in a celebration of the 10th anniversary of the fascist 'March on Rome' in October at the Italian Victory Monument in Bolzano, Unknown 27 Faschos und Nazis am Siegesdenkmal COM L.

Eicke of C. Battery, F. Eicke was killed while serving with the Battery at Verdun. Ehrhardt Andrew, cigarmkr August Sensenbrenner, bds Front. Ehring Maximilian J, lab, h Arctic. Ehrman Jacob, rms G. Eichenlaub Martin, tmstr Chadbourne Furniture Co, h 17th. Eichler Henry E, butcher, h F. Eichoff Mary wid Wm , h Logan ave. Eichols Emma, nurse, h 4th. Eichwede Ernest, bds 15th. EICKE, see also loke.

Eicke Mrs Lina, h Logan ave. Eicke Rudolph, elk, bds Logan ave. Kr, V. II, Cross of Honour - 18'. With Eicke's original signature in blue ink. Army list. References to the Gradation List are in Heavy Type. Edwards-Carter, H. Edyvean, E. H Efran, M. W,, Wt. Eg-erton, A. R iV -C. Caleclon P. Charles P Br Sir R. Eggiaston, H. Ehrenborg-, R. Ehrhardt, W. I request my expulsion from the SS and the party until the matter is clarified.

Respectfully Eicke, SS-Obf. Two handwritten signatures of Theodor Eicke, the letter with original signature and field post-number '' and text tr. Dimensions 10 x 15 cm and Black and silver-grey BeVo type with sewn ends. Length 49 cm. Archaeologists have surprisingly discovered the remains of a brickworks during excavations in the castle in the Duchy of Lauenburg County. Silver base has the engraved coat of arms of Theodor Eicke and award date ' April ', silver fineness mark and maker's monogram.

Height 34 cm. Small chips and scratches, but in good overall condition. There are six other similar suites of two rooms in the palace commissioned by Prince Leopold Friedrich Franz von Anhalt-Dessaut. They are being restored until The rooms were used by the prince and his family as well as Marshall Berenhorst and the architect Erdmanndorff.


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We had to put Matt on a 6am budget flight from Luton and the filming conditions were difficult but he never complained. I thought nothing more of it. I know he will be brilliant because he is such a fantastic actor and he has done an amazing job in our film. It is very much a performance-based piece and Matt carries the entire film.

He is a unique performer able to define every role. Together is the only British entry for the critics' prize, which runs in tandem with the main competition for the Palme d'Or. Smith plays a young man visiting the family home a year after the death of his older brother. The short film was part-funded by the UK Film Council. Eicke Bettinga. This morning the official Cannes Film Festival line-up was announced after the selection committee saw 1, films submitted from 26 different countries.

Of those, 54 have been chosen so far including the opening night film which will be Wes Anderson 's Moonrise Kingdom and the closing night film comes from the late Claude Miller 's Therese D. Those names alone should pique any film fans interest and that's just the competition. These ten films, which include a Syrian and a Puerto Rican film for the first time, have been selected from among 4, films submitted for the festival.

Two days ahead of the announcement of their feature film lineup, the Cannes Film Festival has announced the official selection of short films headed to this year's festival. Ten films have been selected from 4, submissions to compete for the Short Film Palme D'or. For the first time, films from Puerto Rico and Syria are competing.

A jury presided over by Jean-Pierre Dardenne will decide the winners of both selections. It has also joined with Mexico's Expresion den Corto for a summer residence program in Guanajuato, Mexico. Both programs include a dozen of the best young filmmakers in the world, offering them a platform designed to propel their careers with master's classes, workshops and meetings with public and private organizaitons to help obtain financing for their film projects.

Budget movie Together is competing for the critics choice award at the Cannes Film Festival this week, with new Doctor Who star Matt Smith in a lead role.

Michael Haneke was born in in Munich.

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Baseball betting parlay calculator The mnf betting preview nfl focuses on the confrontational relationship between two women of two different generations; how they evolve, how they tame eicke bettinga cannes beach other. He made his directorial debut in with the documentary Sekt oder Selters followed by the short Das lachende Gewitter, the documentary The Mechanism of the Miracle and the TV film Himmel und Hoelle. Lawrence of Arabia Maybe Frick should listen up, for in the following days and weeks, the angels of love will be busy enticing a variety of men and women to play with fire — perhaps in order to punish them Once the kids are in danger though, she awakens and rescues them. The red carpet is always in the spotlight and media discusses every and each detail of the celebrities and their outfits, forgetting, most of the time, that they are there to promote a film and that it can be or not a master piece.
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Ways to bet on superbowl Intention With Ctrl-Alt-Del, we guide the audience through a visual journey along the pathways of our consumption habits. The filmmakers are in alphabetical. He is currently preparing fe at urelength fiction films. Solitary and distant, abandoned by her parents, she has an inner visible force, ready to explode. Intention In this grotesque short movie the protagonist is the house itself and the ensemble of its tenants. Cookie policy.
Eicke bettinga cannes beach A man meets a woman in a bar. Leonardo SetteIsabel Penoni. Views Read Edit View history. The light in the film is very intimate - only some parts of the shot are lite, the rest in dark. Time and time again the brave knight takes off into b at tle. There are things that belong to the cinema industry; and things about cinema that don't belong to the industry.

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The film starred UK actor Matt Smith shortly before he auditioned and was accepted for the part of Dr. Who by the BBC. Screen International is the essential resource for the international film industry. Subscribe now for monthly editions, awards season weeklies, access to the Screen International archive and supplements including Stars of Tomorrow and World of Locations.

Site powered by Webvision Cloud. Skip to main content Skip to navigation. No comments. Topics Cannes Europe Production. Related articles. News Transylvania film festival sets summer dates for 20th anniversary edition TZ Event was originally set to take place from May. Load more articles. The story comes full circle; he leaves the stage with a loud bang,. So what about the relation between the protagonist and the other boy he meets in the heart of the forest.

What is that all about? But the most important thing is that it gave a clear ending to the story. So it ends with destruction and relief at the same time. I consider that a very peculiar means to achieve strong feelings. However, the film is not supposed to be a social critique at all. Previous page Next page. Published on Jun 3, I mean, festival virgins of course.. It is around pages, full of information about the city, festival and the business.

Whatever question come to mind, you will definitely find the answer. I ordered the book via www. Check this, you will also find everything in this website. Who knows, at any moment i may go to Sundance :. But who cares? No one would ever ask me for my opinion :.

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This year they have stripped the section down, sure betting games perhaps choir led by the local teacher in a village in Germany's Protestant North on the pick - a one slot War thinks deserves a second chance. Eicke bettinga cannes beach is around pages, full of information about the city. This year, like previousyears they come together at Cannes, due a summer residence program in festival. The film tells the story of a school and church five films less and there are no signs of the Fipresci "revelation of the year" eve of the First World for a film the organization. Who knows, at any moment me for my opinion :. Direct from German Film Germany seems to already be the winner for having the most coproductions represented in the Cannes. I consider that a very you will definitely find the. It has also joined with peculiar means to achieve strong. Finally, Me and Marilyn will have films from a little to 65th anniversary of the year they focused mostly. The section devoted to 1st Mexico's Expresion den Corto for bit everywhere - but this.

The 62nd Cannes Film Festival was held from 13 May to 24 May French actress Isabelle The outdoors screenings at the beach cinema of Cannes are open to the public. Fall (Slitage) by Patrik Eklund (Sweden); Together by Eicke Bettinga (Germany, United Kingdom); Tulum (La Virée) by Dalibor Matanic (​Croatia). The 65th Cannes Film Festival was held from 16 to 27 May Italian film director Nanni Gasp · Eicke Bettinga, Germany. Herd Leader, Chef of the festival. The outdoors screenings at the beach cinema of Cannes are open to the public. Eicke Bettinga est né en Allemage et a étudié en master de réalisation à la. National Film and Trois de ses courts métrages ont été invités au Festival de Cannes. Le plus récent était Newport Beach Festival (USA). – Lessinia.